Instant transmission sound mp34/10/2024 ![]() When you boost to hit your -16dB LUFS target you’ll usually push the peaks into clipping unless you use limiting or some other kind of dynamic compression (limiting is a fast kind of compression). Performing this step on any individual track increases the db so much that the upper and lower portions of the waves are chopped off / or go above and below the 1 / -1 measure. YouTube, and some of the other streaming services are adjusting to -14dB but they won’t boost the levels into clipping so some streams won’t actually hit that target. My goal when using loudness normalization is getting the loudness up to -16 lufs, which from what I understand is an industry standard. In that case you don’t have meet the audiobook specs and you can limit to 0dB instead of-3dB. So put 30 seconds of “Something” on both ends for Chris to chew on and you can cut off later.Ĭhris will take whatever odd, shifting, funny levels, and damage you created, and turn it into a level radio show. Chris doesn’t like running off the end of the track. –Warning- The only oddity is the two ends of the show. So you may need to mix down to mono for the experiment (keep those original sound files). I don’t know if it will work with a multi-track show (I never tried it) but it works a treat on a stereo or mono “radio” show. I change the first value, Compression Ratio from the default 0.5 to 0.77. See if you can install and run Chris’s Compressor. ![]() Shovel everything off to a thumb drive and work on copies. Keep your original sound files in a safe place in case it doesn’t work. I used to process an on-line show with problems similar to this one. If the performer only said three words in the whole show, those three words will be thermonuclear. Its job is to average out everything on a vocal track. The other thing that’s going to cause problems is Loudness Normalization itself. You can get the same thing with an audiobook if you decide to lean into the microPHONE FOR ONE SENTENCE ANd then sit back as normal. The flat tops and bottoms on all the waves? That’s what happens when you apply processing to multiple tracks that have wild volume variations through the course of the show.
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